above: Hooper House by Marcel Breuer featured in Dwell
The world was shocked by the simple, industrial style that came out of the Bauhaus design school in the 1930s. Coming fresh off the heals of the arts and crafts movement where simplicity and craftsmanship were key, designers in the modern German design school believed form should follow function. Furniture designs of tubular steel and glass were created to be mass produced and easily affordable, without the fuss of superfluous decoration.
Due to the political oppression in Germany and Austria (home of the famous Weiner Werkstätte), the Bauhaus closed and prolific designers were scattered across Europe, some fleeing to the U.S. for a chance to successfully produce work in their new style. This prompted the birth of new design schools like Black Mountain College in North Carolina and Cranbrook Academy of Art in Michigan. The early 1930s began to see collaborations between designers who would become world famous for their iconic furniture designs, architectural endeavors, and even the creation of a groundbreaking design style called International Style. The new look was marked by buildings with large expanses of glass windows, tubular steel frames for furnishings, sleek materials like leather, steel and plastic, as well as generally sparse decorations. Though this modern style movement began in the 1930s, it wasn’t until the 1940s that it began to become more widely accepted by the typical American home owner.
above: the Gropius house from the Historic New England Properties photographic collection and Martha Stewart Living
The above space is a room in the Glass House retreat of Philip Johnson, which really is one wide-open space with glass walls to create a sense of oneness with nature. The large panes of glass, boxy design and minimalist furnishings make this space a great example of International design. Similar styles can be seen in other works by Philip Johnson as well as in the work of his mentors, friends and collaborators such as Mie van der Rohe (whose Barcelona chairs are pictured above), Le Corbusier, Walter Gropius (founder of the Bauhaus, whose home is shown above this one), Marcel Breuer and even Frank Lloyd Wright.
above: the home of Walter Gropius from the Historic New England Properties photographic collection
If you’re not into modern architecture, an easy way to grasp the style of the Bauhaus and International Style movements is to take a look at the furnishings that came out of this movement. Many of the iconic modern pieces you see in design magazines these days were created by architects and designers from this period of design history. Above left you can see the Barcelona chairs and tables as designed by Mies van der Rohe, and in the image to the right you can see a bent tubular steel chair design by Mies van der Rohe, who was also famous for utilizing a new cantilever style with his MR10 chair design pictured below. Marcel Breuer created his own version too, which became extremely popular with interior stylists in the 1970s. In general, the minimalist furniture designs of the International Style movement most often utilize materials like tubular steel, leather and glass, but you can find softened versions with the introduction of rattan and wood, as seen in both van der Rohe and Breuer’s famous chairs below.
You can buy new licensed versions of famous Bauhaus and International furniture designs at stores like Design Within Reach, or you can troll Craigslist and eBay for vintage versions. Usually they’ll be pretty pricey, but sometimes a seller doesn’t know the value of what they’re listing and you’ll stumble on a deal.
Here are some classics from the Bauhaus and International Style movements available at DWR:
1. The Wassily Chair by Marcel Breuer
2. The Barcelona Couch by Mies van der Rohe
3. The Barcelona Table by Mies van der Rohe
4. The Barcelona Lounge Chair by Mies van der Rohe
5. Adjustable Table E1027 by Eileen Gray
6. The Womb Chair by Eero Saarinen
7. Laccio Tables by Marcel Breuer
8. LC4 Chaise Longue by Le Corbusier, Charlotte Perriand and Pierre Jeanneret
9. LC2 Petite Modele Two-Seat Sofa by Le Corbusier, Pierre Jeanneret and Charlotte Perriand
Even within the utilitarian design mindset of the Bauhaus, you can find softer styles that work well to soften the hardness of the steel and minimalist International Style designs. Though still modernist and simple in nature, the art and textile designs that came from Bauhaus students help make a cold environment much softer and cozier.
Gunta Stölzl and Anni Albers (work shown above) are two of my favorite textile designers that came from the Bauhaus, and Josef Albers (Annie’s husband) is definitely my favorite print maker— famous for his color studies in Interaction of Color as well as his print and type design, as shown below.
above: Sean Fennessy for The Design Files
INTERNATIONAL STYLE TODAY
Most of the time you won’t see a room full of cold, industrial-styled furniture, unless you’re looking at a masculine, high style apartment of a power broker or something like that. The colder minimalist designs that came from the Bauhaus and the International Style movement are usually seen mixed with warmer pieces that have soft textures or wooden surfaces. These homes show a more widely accessible interpretation of International Style—clean lines, sturdy materials and a functional arrangement without much fuss. The wood tones and textiles help to warm up the space.
Though it isn’t a contemporary space, the home of the Bauhaus founder, Walter Gropius, is a great example of a warm interpretation of International Style, thanks largely to the influence of his wife whose love for textiles softened the cold style of much of the home’s furnishings. (See the home in the below right image and elsewhere as noted in this post.)
above: Elle Decoration UK / Gropius House via Martha Stewart Living
above: Drew Kelly for Dwell / below: Knoll Laccio table styling
I love the image below, found in a Sydney real estate listing. You’ll find tubular steel chairs, a poster design in a style you’d see come out of the Bauhaus school, and a color scheme that fits in perfect with the Bauhaus and International Styles as well—black, white, red and yellow. But the space is warmed up tremendously with a rustic farmhouse table, an antique side chair and cabinet, as well as a funky chandelier. Such a unique mix of styles that work well due to the simplicity of the room and color scheme.
International Style encompasses a lot of modern designs that can work well alongside vintage and contemporary pieces, and it also flows really well into one of my favorite styles—Mid Century Modern. We’ll talk more about that soon! –Mandi
Credits // Author: Mandi Johnson. Images: Noted individually.